Many things can be said of Alfred
Hitchcock’s 1948 film Rope. Firstly,
that it’s a murder un-mystery, as viewers watch the murder and its
consequences unfold throughout the course of the film and aren’t left to wonder
who committed it and by what motive they did so. Regardless, it is secondly a
film of immense suspense, as the audience waits for other characters to learn
what they already know and flinch when the victim’s body is nearly discovered.
Thirdly, it can be interpreted as a comment on the social issues of the time,
namely America’s horrified reaction to Nazi Germany and the Holocaust, but also
on an issue that was just beginning to emerge- homosexuality. Underneath the
drama of the murder lies a compelling relationship between the two men who
committed it. In this essay, I will analyze this relationship and how
Hitchcock’s constructs it in reference to the times in which his film was
created and released.
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